Tag Archives: Guy Tal

Kuskulana Glacier

Winter in Wrangell - St. Elias National Park and Preserve, Kuskulana Glacier, Alaska.

Wrangell РSt. Elias National Park and Preserve, Wrangell Mountains and the Kuskulana River, Kuskulana Glacier, near Nugget Creek mine. Winter, Alaska. This photo is a closer look at the ice wall on the Kuskulana Glacier, from the photo I posted last week. I probably spent about an hour or 2 here, checking out this fascinating place. Please click on the image above to view a larger version of this photo.

Hey Folks,

My friend Guy Tal posted (as usual) another great read on his blog;¬†“Photography and the Environment”. I urge you to read his treatise; it’s a solid piece. Guy has a great knack for writing on particular topics without seeming to offend those who disagree with him, which makes his a powerful voice. At the same time, he’s not wishy-washy. that’s a hard line to toe.

One question Guy asks in the article is “Will another photograph on a web site in a stock library truly change public opinion? How about another thousand? Another million?”

I’d suggest, however, that this is the wrong question to consider. Continue reading

Wendell Berry and Guy Tal.

Winter in the Mentasta Mountains, Wrangell - St. Elias National Park.

A winter sunset over the Mentasta Mountains, Wrangell – St. Elias National Park, Alaska.

Hey Folks,

“The effort to clarify our sight cannot begin in the society, but only in the eye and in the mind. It is a spiritual quest, not a political function. We each must confront the world alone and learn to see it for ourselves”. So says Wendell Berry, one of my favorite writers, in his book “The Unforeseen Wilderness”. The book, a dearly needed plea to save Kentucky’s Red River Gorge from a nefarious plan to dam it, was written nearly 40 years ago. I haven’t read the book completely yet, as I just bought it this afternoon. But I glanced at it, and this passage caught my attention. Berry continues on:

“the figure of the photographic artist – not the tourist-photographer who goes to a place, bound by his intentions and preconceptions, to record what has already been recorded and what he therefore expects to find, but the photographer who goes into a place in search of the real news of it”.* Continue reading